Rachika Nayar’s Heaven Come Crashing is an instrumental epic of desperate longing
Two minutes and thirty seconds into the title track of Rachika Nayar's Heaven Come Crashing, an absolutely massive drum and bass beat drops. As a fa…
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This unpronounceable series of glyphs is an incredible side project from Kieran Hebden (aka Four Tet)
Just why? ʅ͡͡͡͡͡͡͡͡͡͡͡(̸̢̛̼̞̭͋ͅ)̸͚Q…
Shall We Go On Sinning So That Grace May Increase? is hypnotic, healing, and hopeful
Matmos are an incredibly accomplished duo between their own solo records like the masterpiece A Chance to Cut Is a Chance to Cure and production cla…
Mr. Lif’s Emergency Rations EP is post-9/11 hip hop at its most daring
There was a period in the early aughts when Definitive Jux (nee: Def Jux) seemed like it was going to be the future of hip hop. While the label feat…
Cold Court’s debut EP is an infectious, glitchy genre mashup
Cold Court is a brother-sister duo from Philly that seems to love nothing more than shoving all of their influences together in a messy soup that at…
Conclave is the sound of a NYC summer block party
I have this vivid memory of walking to pick up my oldest from school in June of 2022. For a variety of reasons, I was in a very bad place mentally.…
Feeble Little Horse leans into digital weirdness on bitknot
From the opening moments of bitknot, it's obvious that Feeble Little Horse has found an entirely new gear. Where on Girl with Fish the blown-out tex…
Ashnymph’s Childhood EP is exhilarating dance goth rock
I've got to thank my oldest friend and concert buddy, Tim, for turning me on to this one. Ashnymph is a London band that blends post-punk melodies w…