Mister Organ is one of the most unsettling documentaries I’ve ever seen
Mister Organ doesn't reach the level of societal horror of The Act of Killing or the creepypasta-meets-true-crime gruesomeness of Beware the Slender…
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George A. Romero’s Season of the Witch is a slow-burn feminist occult drama
George A. Romero is obviously best known as the father of the modern zombie movie. But between inventing the genre with Night of the Living Dead and…
The Social Reckoning is a tepid thriller that reminds us of how we got here
When David Fincher's The Social Network premiered in 2010, many people still thought of Mark Zuckerberg as a genius who had revolutionized the world…
The 2.5-hour AI-generated Odyssey movie is 2.5 hours too long
Christopher Nolan's engrossing take on The Odyssey dominated at the box office and spurred a newfound interest in classic literature among filmgoers…
Resident Evil is a comedy first and a thrilling nightmare second
When Paul W.S. Anderson's Resident Evil hit theaters in 2002, video game movies were largely seen as a niche. Films like Mortal Kombat and Tomb Raid…
Vintage Violence is an absurdist crime thriller for phone addicts
There are a lot of movies that have tried to seamlessly integrate modern tech - text messages, livestreams, etc. - into their storytelling. Some of…
The four-hour-long Elon Musk documentary might be preaching to the choir
It makes sense that Musk is a long film. The latest from Alex Gibney, who has previously directed documentaries about Theranos and Steve Jobs, is an…
Your Mother Your Mother Your Mother will make you forget all about Marvel’s Blade disaster
Marvel's mishandling of its Blade reboot will likely go down as one of the studio's biggest mistakes. There was a great actor in place to play the v…
Laika’s stop-motion fantasy Wildwood looks so smooth
Due to a scheduling mishap, I was only able to check out two movies on my second day at the Toronto International Film Festival - but I did manage t…
New York City’s last pickpocket doesn’t need a smartphone
Hello once again from Toronto, where for a week every year I watch far too many movies and tell you all about them. The festival, better known as TI…
We’re All Going to the World’s Fair is an intimate coming-of-age horror film
Jane Schoenbrun's latest film, Teenage Sex and Death at Camp Miasma, is making a splash in theaters right now. So it seems like the perfect time to…
Coyote vs. Acme is even funnier because Warner Bros. Discovery tried to kill it
There's an argument to be made that people wouldn't be all that interested in Coyote vs. Acme if it weren't for the way David Zaslav tried to kill i…
Trying to explain One Night Only’s tech-enforced sex dystopia
From the omnipresent One Night Only trailer, you'd be forgiven for thinking that the movie glosses over its terrifying and absurd premise - in other…
Champagne and Bullets belongs on the Mount Rushmore of bad movies
There's something about a movie like The Room, Troll 2, or Fateful Findings that I find irresistible. These sorts of "so bad they're good" films are…
The Cube is Jim Henson’s little-known proto-Black Mirror masterpiece
I'm sure we're all familiar with Dark Crystal, so we know that Jim Henson can be weird and tackle slightly more mature subject matter. But there is…
In Toy Story 5, the problem really is these damn phones (and tablets)
The Toy Story franchise began with a story about a vintage doll feeling threatened by the arrival of an electronic action figure. Woody and Buzz's r…
The Mandalorian and Grogu should have been a season of TV
When The Mandalorian first debuted on Disney Plus, it was a refreshing reminder of how fascinating Star Wars stories can be when they aren't focused…
Oddity is masterfully tense horror from the director of Hokum
Hokum recently hit theaters, and it's already outperforming box office expectations. If this Kubrick-referencing haunted hotel flick starring Adam S…